Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Thursday, July 23, 2015

PRETENDING TO BE ERICA Blog Tour: Author Interview with Michelle Painchaud

Hi all! Today we have an awesome Q&A with Michelle Painchaud, the author of PRETENDING TO BE ERICA. 


1. Did you do any research? 

I wish I did more! I did a lot about stuff I didn’t know – police procedure, mostly!

2. Are you a pantster or plotter? 

Pantser 100%. Although I do write rough outlines before I start so I’m not totally rolling around in the bullshit.

3. Do you have a playlist or some other creative outlet that you worked on while writing PRETENDING TO BE ERICA? 

Heck yeah! I had a rotation of music, but the only one I can really remember while writing was Drake’s Lust for Life.

4. This is a heavy topic--how did you balance writing such a story with your life? 

Not as heavy as you’d think! I cried a lot, to be completely honest. Something’s wrong if you don’t cry while writing at least a little, I think.

5. What was the first scene that came to you? 

Definitely Violet/Erica writing her name on a homework assignment and thinking ‘this isn’t my name, but it’s nice’.

6. What is the most important thing to you as a writer: character integrity, realistic plot, interesting story? 

Character. Character! CHARACTER!!! An interesting story can arguably be created entirely
by a good character.

7. What books have influenced your writing? 

Kurt Vonnegut’s Cat’s Cradle and the Jessica Darling series by Megan McCafferty are two big ones. I’ve got tons, but those are the two that influenced ERICA’s style, I think.

8. Is there anything that you believe in your life greatly prepared you for writing a novel? 

I did write a massive pokemon fanfiction back in the day. That prepped me for the grueling work bit, at least. :~)

9. If you hope readers took away one thing from PRETENDING TO BE ERICA what would it be? 

It’s alright to not know who you are – and it’s alright to do the right thing for yourself, regardless of what others think of you.

10. What are you working on next? 

A YA/Fantasy! It’s tough to sell after being a contemporary writer, but it’s got a girl who’s skin is slowly being crystallized.
~*~

Thank you so much to Michelle for the interview and thank you to Penguin Random House! 


About PRETENDING TO BE ERICA
Erica Silverman was abducted at the age of four. She was snatched outside of her kindergarten and never seen again. Violet was adopted by her con artist father for a single purpose: to become the long-lost heiress of the mythical Silverman painting. Violet has only ever been groomed for this moment. But what Violet doesn’t count on is how much she comes to care about the Silvermans, as well as the friends she’s made under false pretense. Walking a razor’s edge, calculating every decision, not sure sometimes who she is or what she is doing it for, Violet is an unforgettable heroine.


About Michelle Painchaud

Michelle Painchaud was born in Seattle, but grew up gate-crashing parties in sugar cane fields in Hawaii. Cats and anime take up what little part of her brain isn't harassed by stories of teenagers kicking ass. This is her first novel. She lives in San Diego, CA.

~*~

Pretending To Be Erica Blog Tour Stops:

Tuesday, July 14 – The Young Folks (interview)
Wednesday, July 15 - Bookish Broads (guest post)
Thursday, July 16 – Once Upon a Twilight (guest post & giveaway)
Friday, July 17 – Addicted 2 Novels (review & giveaway)
Monday, July 20 – Midnight Garden (guest post)
Tuesday, July 21 – Fangirlish (interview)
Wednesday, July 22 – Ex Libris (review)
Thursday, July 23 – Paperback Princess (interview)
Friday, July 24 – Book Flame (review)
Monday, July 27 – I am a Reader, Not a Writer (guest post)
Tuesday, July 28 – Book Emoji (interview)
Wednesday, July 29 – Me, My Shelf and I (review)

Thursday, November 7, 2013

The Princess In the Opal Mask: Interview with Jenny Lundquist




Earlier this morning, I posted my review of The Princess in the Opal Mask, I really enjoyed it, and my excitement got to go a little further when I was able to interview the author, Jenny Lunquist. If you don't know Jenny, you can read a little bit more about her here.



Jenny Lundquist grew up in Huntington Beach, California, wearing glasses and wishing they had magic powers. They didn't, but they did help her earn a degree in intercultural studies at Biola University. Jenny has painted an orphanage in Mexico, taught English at a university in Russia, and hopes one day to write a book at a café in Paris. Jenny and her husband live in northern California with their two sons and Rambo, the world's whiniest cat.


You can find her on Facebook or Twitter or her Blog!

Without further adieu, onto the interview!



Which sister do you relate to more?

I relate to both sisters, but I suppose Wilha is a little bit more like me. In high school I was really insecure and somewhat fearful. While I admire Elara’s grit and toughness, I am not like her at all. Originally, I was only going to tell the story from Elara’s perspective, but as I got to know Wilha more, I really liked her, and wondered if the story should be told from her POV instead. Ultimately I decided that the best way to do justice to the book was to split the narrative between both girls, a decision I am so happy with, as I feel like it’s given more depth to the story as a whole.

What would your mask look like?

If I was stuck wearing a mask on my face day in and day out, you can bet that, like Wilha’s, it would have a ton of bling. Opals, diamonds, gold and gilt, you name it. Who would actually be paying for me to have this ultra expensive mask, I have no idea, but that’s the type I’d be hoping for.


When writing the book, did you draw your own Map? If so do you care to share?

Sure! I did a rough sketch of the map that existed in my head and handed it in to my illustrator, the talented Teresa Bonaddio, at Running Press. It’s incredibly difficult for me to even draw stick people, so it took several tries for me to even get the simple sketch down. After I sent it to Teresa, she drafted up the fantastic version that made it into the book (and, unlike mine, doesn’t look like a kindergartener drew it). And, because I’m working on the sequel, I needed them to add in extra places that did not appear in my original sketch or in The Princess in the Opal Mask. Spoiler alert for the sequel: It’s possible that one or both of the girls just might find themselves back in Galandria at some point and journeying to new places!


When did The Princess in the Opal Mask become an idea for a book?

That’s a difficult question to answer, as the story came to me in pieces over a period of almost ten years. I think the precise moment when I knew I had a story I needed to tell was one night when an image just “jumped” into my head: Of a dirty, neglected teenage girl sitting on a wooden stool. A door opened in front of her, and whatever she saw caused her features to twist with shock and horror. The writer in me wondered what could surprise her so much. So I swung my “mental POV camera” around, and when I saw what was behind the door, I was shocked, too. I think that’s when I knew I absolutely had a story. Chapters 16-18 of the finished book are a direct result of that image.

Even though this is your third book, how did it feel knowing that you were going to be published again?

It felt just as exciting as the first time, particularly since this is my first YA book. And it’s particularly sweet since these characters have been with me for so long. After so many years, Elara and Wilha seem like real people to me, and I’m hoping others will like them just as much as I do.


What sort of research went into this book?

Although this book is set in a fictional kingdom, there’s a bit of seventeenth and eighteenth century French history that have slightly influenced elements of the story, so I did a little reading on that time period. Also, does Googling pictures of masquerade masks qualify as research? Because I did a whole lot of that. I keep a board here on Pinterest of images that inspired me while I was writing the book, and I pinned some of the more colorful masks I drooled over.
 
In the course of looking at all the masks I found out about The Carnival of Venice, a festival held in—you guessed it!—Venice, wherein people wear masks and make merry. It’s now on my bucket list to attend that event. One day, I’m going to rock a Venetian mask and costume!


How many books do you have planned for this world?

I’m currently working on the sequel, which is the final book in the series. I’m having a blast writing it, and while I don’t want to give anything specific away, I’ll just say that readers can expect more in the second book. More romance, more adventure, more fun!

You can find more tour stops here!



Monday, February 18, 2013

The Nightmare Affair Playlist and Author Interview


 The Nightmare Affair

So I've been looking forward to The Nightmare Affair since I found out that it existed, because it sounded awesome. Then I found out that Shane over at Itching for Books was going to be holding a tour for it, and so I had to stalk it out to get on it. Then I got lucky and now here I am telling you all about

Mindee is a really awesome person and for the last few months we've talked back and forth about the book and how excited I was for it, and in the end how much I wound up loving it. I got lucky and got to do both and Author interview and an Author playlist for The Nightmare Affair which gives us a look into the making of a a little but more about the characters.



The Interview

How did you get the idea for The Nightmare Affair?

From the Story Gods, of course. All I had to do was sacrifice a chicken on the full moon and then do a special dance around my computer three times.

Kidding. I would never be able to kill a chicken. One look at its poor little eyes and I would fold. This makes me a walking contradiction because I have no problem eating chickens. But so it goes.

Anyway, back to the point here. Really, the idea just came to me one day while I was researching mythical monsters for a short story. A couple of Wikipedia searches later and the idea arrived: girl who is actually a Nightmare gets caught dream-feeding on a boy she likes who is dreaming about a murder that comes true.

How did you pick and choose the magic elements included?

All the magic in the story rose organically out of the telling. The premise itself automatically required the presence of magic. I mean, how else could a person wander around someone else dreams, right? Every time something in the story required magic, I put it through a series of tests: how does the magic work? Why does it work? Why does this type of character have that ability, and so on.

The non-story essential magical elements arose more out of my desire to have fun with the story and especially the environment. I figured what’s the point of having a magical school if strange and surprising (and funny, I hope) things don’t randomly happen.

Where did the title come from?

Well, I knew that the title “Nightmare” wouldn’t be enough. Too bland, and it also didn’t strike the right tone. The book is pretty fun and whimsical, and I wanted a title to reflect that so I started brainstorming. I looked at titles of murder mysteries and capers, and the word “affair” appears in several of them, such as The Mysterious Affair at Styles, The Thomas Crown Affair or The Eyre Affair. The moment I realized Affair and Nightmare rhyme in the same way as the latter, that was all she wrote. Also, The Nightmare Affair shares some similarity with The Eyre Affair by Jasper Fforde, in terms of wacky content, which made me like the title even more. Fortunately, my publisher liked it, too.

Were there any scenes or characters that didn’t make it into the final version that you wish had?

Not a single scene got caught during revisions/edit. On the contrary, more scenes were added in. I’m discovering that all my writing leans this way; my first draft is always shorter than the final.

What was your favorite scene to write?

I love the dream sequences in the book, especially the later ones when “exciting and significant things” happen in terms of plot. I also loved writing the climax. For me, there was a lot of payoff in that scene.

How many books do you think it would take to tell Dusty’s story?


My dream/hope/wish/entreaty to the Story Gods is to get at least four books in order to finish Dusty’s story. Four would be nice, although five might work even better. Right now, I’m on contract for three books. So I guess the answer is, if the first one does well then I might get a chance of writing that fourth book. If not, I’ll have to see what I can do in three. A little scary and potentially depressing, but true.

When did you get the idea for TNA?

A good year before I actually started to write it. I got the idea in spring of 2009, but I didn’t start the official first draft until fall 2010. I finished that first draft February 2011, spent some time revising it, and the book sold to Tor July 2011.

Who inspired your writing style?

My writing “style” is really an accumulation of years of reading and writing. So I can’t to point to any single writer who inspired it. I can, however, pinpoint the inspiration for the “tone” of The Nightmare Affair. I consider myself a very tonal writer, in the sense that I start off a book hoping to capture a certain feel. For TNA the feel I wanted to capture was inspired by the Stephanie Plum series by Janet Evanovich. These books are fun and a bit slapstick, but the earliest ones are also pretty dark and scary with a good solid mystery to keep you reading. I wanted something similar, only with lots of magic.

What is one book you wish you had written?

Anything by Laini Taylor. Seriously, I just adore her. I want to channel her soul and steal all of her awesomeness. Kidding, definitely kidding. But only because (1) such a thing really isn’t possible, not to mention evil, and (2) it would mean that I wouldn’t get to enjoy reading her stuff anymore, and I would never cheat myself out of the experience. Alas, a book is never the same for the writer as the reader.

What is your favorite book? Who is your favorite author?


Harry Potter all the way, and yes I’m referring to all of them. It’s really just one long, epic, wonderful story. I guess this makes J.K. Rowling my favorite author by default, and I’m cool with that. Some of my other current favorites are Laini Taylor (duh), Maggie Stiefvater, Libba Bray, and Kendare Blake. Oh, and Stephen King, of course. I’ve always loved him.

The Playlist

Note from Mindee: There’s so much I want to say about the songs I’ve selected for this list, but I’ve got to hold back for fear of major spoilers. But basically, all of these songs do one of two things; they either capture the feel of a particular character or a particular scene. 

So given that information, I'm going to keep my comments to a minimum and let the music speak for itself. 


  1. “No Light, No Light” – Florence + The Machine

This song reminds me of Dusty, especially how she is at the beginning of the novel, a little a lost in the dark, so to speak.


  1. “Say You Will” – Mona

This song reminds me of a character named Paul. I’m not going to say much about him, other than that he’s a student at Arkwell. One interesting side note about this band, however, is that the lead singer, Nick Brown, is someone I grew up with. He’s super talented, and everybody should keep an eye out for him and Mona.
  1. “Below My Feet” – Mumford & Sons

I love this song so much, words can’t even explain. It’s utterly beautiful, and I consider it a little like Dusty’s prayer for herself. She goes through a lot of crazy things, and this song captures her way of trying to stay grounded and to rise above it all.

  1. “Lullaby” – OneRepublic

This song reminds me of both Dusty and Eli. They have a complicated relationship in the book, and they spend a good deal of time “dreaming” together. What better way to capture that feeling than with a lullaby?
  1. “Leave My Body” – Florence + The Machine

This is the theme song of Dusty’s best friend, Selene. The attitude in this song really fits her.
  1. “King and Lionheart” – Of Monsters and Men

Again, this one makes me think about Dusty and Eli. It’s also a beautiful song with a dreamlike quality to it.
  1. “Hellhound on My Trail” – Robert Johnson

So this one is just a little tongue-and-cheek, as anyone who reads the story will come to understand, but it is one of my all time favorite songs, a real blues classic.
  1. “Mind Eraser” – The Black Keys

This song reminds me of a particular character and a particular scene, neither of which I can mention directly. But if you’re thinking it’s a little bit creepy and scary, then you get the idea.
  1. “Stand” – Fly Leaf

This song reminds me of Dusty. Maybe not how she is, but certainly how she wants to be.
  1. “Awake and Alive” – Skillet

Dusty and Eli again.
  1. “I Will Wait” – Mumford & Sons

This is my theme song for Eli, although it might not be one he would chose for himself. I adore this song so much. So romantic and swoon-worthy. If Eli were to ever start a band, I imagine that he would sound a bit like this.
  1. “I Seen” – Mona

Another kickass Mona song, and a fitting dĂ©nouement to the playlist. The attitude in this song reminds me of Dusty, Eli, and Selene, and their collective attitude.  


I hope that everyone enjoyed this post about The Nightmare Affair!


Tuesday, October 16, 2012

Interview with Susan Elia MacNeal


Hey all! Today I'm going to introduce you to one of my favorite Historical Fiction authors. Her name is Susan Elia MacNeal, and she writes the Maggie Hope series about a female spy during WWII. Below you can find out more about he and her writing process below! If you stick around to the end, you're going to find a nice surprise!

The Interview

Tell us a little about yourself.

Hello Nicole! Hello, lovely readers!

Well, let’s see — I grew up in Buffalo, New York and attended Nardin Academy. I went to Wellesley College, just outside Boston, where I also took classes at MIT and graduated with a B.A. in English. After that, I went to the Radcliffe Publishing Course, a six-week book and magazine intensive course (a sort of “publishing boot camp”). I became a paid intern at Random House in New York, then worked my way up the editorial ladder, becoming an associate editor at Dance Magazine, a job I absolutely loved.
            Alas, the magazine moved to San Francisco, but since I’d just gotten married (and now had health insurance through my husband), I decided to freelance as a writer and editor.
            Ok, that’s the factual stuff. The fun stuff? Well, I married a Muppet (not really a Muppet, but a guy who’s done significant work with the Jim Henson Company and works in children’s television) and live in Park Slope, Brooklyn. I’m also the mom of a seven-year-old son (seven going on forty-two!), and we have two funny, naughty cats, Xander and Lola. I don’t have a lot of free time, but I do love to cook and have people over for dinner. A friend calls our place “the clubhouse” because we always have a friend or two (or more) around — musicians, journalists, actors, puppeteers, artists, ballerinas, break dancers, Chinese acrobats — you name it, our friends do it.

What inspired Maggie Hope?

I’d been taking fiction writing classes at the Harvard Extension School and also the 92nd Street Y, and most everything I was writing was set in present-day New York. Then, thanks to my husband’s work on the Disney Chanel show, Bear in the Big Blue House, we were able to go to London frequently, and stay there for fairly long chunks of time.
            I remember going to the Churchill War Rooms in London on a lark. It was a random rainy Tuesday. A British friend had guilt-tripped me into going, actually: “World War II did start before Pearl Harbor, you know….” So I went.
The underground corridors looked just as they must have during the war — and suddenly I felt like time telescoped in on itself and the Blitz was going on overhead — with the smell of cigarette smoke, the clatter of typewriter keys, the shrill ring of telephones. Not to mention all those tense, pale men in military uniforms or dark suits waiting for the arrival of the Prime Minister.
            The moment didn’t last, but the feeling haunted me. I knew I wanted to write about it, but I really didn’t have the confidence — what did I know about London in the 1940s? (I mean, really — how presumptuous!) But my husband saw how taken I was by the idea and encouraged me.
And so, Maggie Hope was inspired by Winston Churchill’s actual wartime secretaries. I knew I wanted to write a strong woman character and did some research on the typists, including Mrs. Elizabeth Layton Nel, who wrote a wonderful memoir of her time working for Mr. Churchill during the Blitz. I was honored that Mrs. Nel corresponded with me in 2004-05.
Maggie herself is inspired by my writing mentor, the late Judith Merkle Riley. I worked on Judith’s books at Viking/Penguin, and we became friends. Maggie gets her name and her red hair from Judith’s character Margaret in her novel A Vision of Light. But a lot of Maggie’s character was (and is) based on Judith herself, who was an academic as well as a novelist. She would look at some of the scenes I’d written and say, “No! It was even more horrible and sexist back then!” Then she’d tell me some things that were said to her, and what she wished she could have said…Yes, a lot of Maggie is Judith.

What made you decide to become a writer?

You know, I don’t think I ever decided — I really felt like Mr. Churchill’s Secretary picked me up by my metaphoric lapels, shook me and said, “You must write this! You have no choice!”

What was your favorite scene in Princess Elizabeth’s Spy and Mr. Churchill’s Secretary?

Hmmm…In Mr. Churchill’s Secretary, I was terrified to write any of the scenes with Winston Churchill (because, you know — no pressure or anything). However, once I started, I always had lots of fun with those scenes.
One of my proudest moments as a writer was getting the “seal of approval” on my portrayal of Sir Winston (and Mr. Churchill’s Secretary and Princess Elizabeth’s Spy) from venerable Churchill historian Richard M. Langworth, C.B.E.. He is the author of four books: Winston Churchill by Himself (2008), The Definitive Wit of Winston Churchill (2009), The Patriot’s Churchill (2010) and All Will Be Well: Good Advice from Winston Churchill (2011). He’s also the founder of the Churchill Centre and the editor of the journal Finest Hour, which is running a lovely review of both Mr. Churchill’s Secretary and Princess Elizabeth’s Spy, written by fellow novelist Michael McMenamin, author of the Winston Churchill thrillers, The Devalra Deception, The Parcifal Pursuit, and The Gemeni Adgenda.
In PRINCESS ELIZABETH’S SPY, I really loved writing the scenes with Maggie and the young Princess Elizabeth. Despite the vast differences in their lives, they both are serious and smart women, with a strong sense of duty, but also a streak of whimsy.

Was their any scene that was particularly hard to write?

I find the characters of Edmund Hope challenging to write, especially now that I’m a parent. I can’t fathom a parent ever abandoning a child. And yet, a similar situation happened to my husband—we only recently found out that his biological father faked his own death, then started a new life in a different state. (And in case you’re wondering, no, I really and truly am not kidding. I wish I were.)
Obviously, that revelation affected my writing. Some people are quick to say things about Maggie’s story, like, “That’s crazy! That’s soooo over the top!” Meanwhile, I want to say, “Hey, come over to our place. Let me pour you a martini and then let’s talk about what’s ‘crazy.’ ”

What was your reaction when you found out that you were going to be published?

There was a fair amount of disbelief, then a lot of running around, hugging, and crying. There was champagne involved at some point. It’s all a blur now, really.

Do you dream of seeing Maggie on the big screen? Who would you like to see play her?

How great would that be? I can see Maggie played by the actress Claire Danes. She has the intelligence and gravitas to play the role, I think.

What is your favorite book?

Oh, that’s a tough question. Hmmm…I have to say that year after year I always come back to Jane Austen. I’m torn between Pride and Prejudice and Persuasion.

Who is your favorite author?

Do I have to pick just one? Um, let’s see — Jane Austen, Sarah Waters, Alice Hoffman, Laurie Colwin, Louisa May Alcott, M.F.K. Fisher…. My favorite book of this year is Tigers in Red Weather. I absolutely love what author Liza Klaussmann does with her multiple narrators — gorgeous prose, insight into human nature, and great storytelling.

Who do you think has had the biggest influence on your writing?

Judith Merkle Riley, definitely. In fact, PRINCESS ELIZABETH’S SPY is dedicated to her memory. She was an incredible woman, and I was lucky to have her in my life as both a friend and mentor. I was privleged to work on her books, The Oracle Glass and The Serpent’s Garden.

What would you say is your biggest achievement?

That my son says “please” and “thank you” and is (most of the time) a really good and loving kid.

What do you do when you get writers block?

Hmmm, I always think of the choreographer George Balanchine, who said, “My muse comes to me on union time” (because he was working with dancers and musicians being paid by the hour through their respective unions). So, I try to take that attitude and just write whenever and wherever I can.

What genre of books do you find yourself drawn to?

I love books from all genres! I know I’m late to the party, but I’m absolutely obsessed with George R.R. Martin’s Game of Thrones series. I’m also reading Jenny Lawson’s Let’s Pretend this Never Happened, and the historical novel, Juliet Nicolson’s Abdication.


What other time period would you like to write about?

I’d actually love to try present day at some point…


What is your writing process like?

Well, I usually start off with a vague idea of a setting and plot, and lots of notes, which I fill out into a three-act outline. Then I think about characters and relationships and really write a lot about them – most of which, never makes it into the book (their first love, worst humilation, what they keep in their bottom drawers, what they have for breakfast, etc.). But I also leave room to change things during the process. You never know what can happen. Sarah, for instance, was not a planned character, and she just appeared one day — I couldn’t say no to Sarah.

How long does it take you to write a book?

Mr. Churchill’s Secretary took years, but now that I’m under contract with Bantam; it takes me about a year, plus the copyediting process. It’s like having a baby. Just as painful sometimes, but also as infinitely rewarding.


What was it like trying to get published?

It was hell on toast. Seriously. There is a land of Literary Rejection, and I am the Queen. But I never stopped writing, and I never gave up. I may not be the best writer ever, but I think I have to be close to the top when it comes to perseverance, edits, and rewrites. I have worked very, very, very hard to be very, very, very lucky.


Are there any tips you have for aspiring authors?

In the words of Winston Churchill, “Never, never give in.” Believe in yourself, in your characters, and in your story. Weeping in bed in the fetal position is fine as long as you eventually get up, wash your face, and make a cup of tea — and then start writing again.
Find a mentor, and find a community of friends who are also writers. Your writing tribe will understand and support you in ways your family and friends can’t.

Thank you so much for this opportunity, Nicole!

The Surprise!


QUEEN ELIZABETH II’S DUBONNET COCKTAIL

Ingredients

1 ½  ounces Dubonnet Rouge
½  ounce London dry gin

Stir well with cracked ice, then strain into a chilled cocktail glass and garnish with lemon slice and a large ice cube.

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